
Roz was a native of Grenada. She began to limbo after visiting Barbados, with her mother, in 1955. Two years later she was instructing actor Dorothy Dandridge how to limbo for the film Island In The Sun,and she went on to tour America as a featured performer in Larry Steele’s revue Smart Affairs of 1961. Steele was the head of the largest black entertainment touring troupe in the United States at the time. According to reports, the limber Ms. Croney could limbo beneath a bar just seven and a half inches off the floor.
In an article in Ebony magazine, Roz revealed that “she considers herself a more than passable singer, but cannot use this talent because her voice is kept hoarse by the shouts which accompany her limbo routine.” Shame she seemed to forget that when Tom Wilson, the record producer best known for his work with Bob Dylan, Frank Zappa, Simon & Garfunkel and The Velvet Underground, dragged her in to New York’s Mastertone Studio to record this nonsense. One assumed that Wilson was inspired by seeing Roz perform, or perhaps by the success of Chubby Checker’s 1962 single Limbo Rock, or the earlier, instrumental version of the tune by the Champs.
Sun Ra, or Herman Poole Blount to give him his given name, got the gig because for a number of years he had been working as a session musician for Edward Bland, the arranger of this travesty. For much of his career, Sun Ra led an ensemble he dubbed "The Arkestra", and he brought along several of his long-time collaborators, including Marshall Allen (alto sax), John Gilmore (bass clarinet), Ronnie Boykins (bass), and Pat Patrick (baritone sax and flute) for this album. perhaps unsurprisingly, there was no How Low Can You Go Volume Two.
Here’s a handful of cuts from How Low You Can Go, Doggie In The Window Limbo, The Limbo Queenand the truly awful Whole Lot Of Shaking Going On (apparently the correct title, Whole Lotta Shakin' Goin’ On was too vulgar!)
Enjoy!